We chat to engineer and producer Joe Rodwell about his career, lockdown recording and why he’s a...
Users
We take a look at how Ferrofish converters can be used with RME audio interfaces for adding...
Cyril Mazouer of French OB specialists Boîte à Outils (BOB) discusses how his company have been keeping...
Sound engineer Paul Cutler discusses choosing the Calrec Brio 36 for mixing the 100th birthday celebrations of...
Gorilla Group chooses Calrec Brio 36 audio console for S4C’s coverage of the Rugby World Cup 2019
4 min read
Shaun Farbon, Head of Production Sound explains why Gorilla Group chose to upgrade to the Calrec Brio...
Chapman Stick Musician and Producer Kevin Keith explains why he relies on four RME Fireface UC audio...
We chat to Caro C, founder of music charity Delia Derbyshire Day. A few months back RME...
Dennis Rux of Yeah! Yeah! Yeah! Studios in Hamburg discusses ‘vintage sound’ and RME Audio converters For...
Calrec Brio 36 broadcast console installed at the Liverpool Institute for Performing Arts (LIPA)
6 min read
Iconic performing arts school chooses the Calrec Brio 36 audio console for its new state-of-the-art TV Studio...
TV composer and musician Andy Neve on upgrading his studio with the RME Fireface UFX+ audio interface...
Pro Tools Expert’s James Ivey tries out a pair of Lauten LS-208 microphones in an NOS configuration...
Playback engineer Taylor Wright chooses the RME Digiface Dante for the rapper’s upcoming IGOR Tour. American rapper,...
